Get A History of the Oratorio: Vol. 1: The Oratorio in the PDF

By Howard E. Smither

ISBN-10: 0807812749

ISBN-13: 9780807812747

Howard Smither has written the 1st definitive paintings at the background of the oratorio for the reason that Arnold Schering released his Geschichte des Oratoriums in 1911. This quantity is the 1st of a four-volume finished examine that provides a brand new synthesis of what's recognized thus far in regards to the oratorio.

Volume 1, divided into 3 components, opens with the exam of the medieval, Renaissance, and early Baroque antecedents and origins of the oratorio, with emphasis on Rome and Philip Neri's Congregation of the Oratory and with distinctive realization to the earliest works for which the time period oratorio turns out applicable. the second one half recounts the advance of the oratorio in Italy, circa 1640-1720. It stories the social contexts, consumers, composers, poets, librettos, and tune of the oratorio in Italy, particularly in Vienna and Paris.

The method tailored during the paintings is to regard first the social context, quite the conditions of functionality of the oratorio in a given zone and interval, then to regard the libretto, and eventually the tune. for every geographic sector and interval, the writer has chosen for unique awareness a number of oratorios that seem to be rather vital or consultant. He has demonstrated the data provided within the really good literature at any time when attainable via connection with the track or records. In a few components, specific seventeenth-century Italy, during which really few earlier stories were undertaken or secondary assets have confirmed to be insufficient, the writer has tested the first resources in manuscript and revealed shape -- track, librettos, and records of early oratorio background. remarkable learn and clever integration of disparate parts make this complex, diffuse topic either readable and available to the scholar of music.

Volume 2, The Oratorio within the Baroque period: Protestant Germany and England, and quantity three, The Oratorio within the Classical Era, proceed and extend the examine of oratorio historical past. even supposing this sequence was once initially introduced as a three-volume learn, Smither will finish with a fourth volume.

This new work--the first English-language research of the heritage of the oratorio turns into the normal paintings on its topic and an everlasting contribution to tune and scholarship.

Originally released in 1977.

A UNC Press Enduring variation -- UNC Press Enduring versions use the newest in electronic know-how to make on hand back books from our distinctive backlist that have been formerly out of print. those variations are released unaltered from the unique, and are offered in reasonable paperback codecs, bringing readers either historic and cultural value.

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Extra resources for A History of the Oratorio: Vol. 1: The Oratorio in the Baroque Era: Italy, Vienna, Paris

Example text

Irtenkauf, "Reimoffizium," in MGG, ri:cols. 171—73. in Analecta hymnica, vols. 8, 413, and 45. 9. Music and text printed in Brambach, Historia. ίο. Text printed in Wagner, Einführung, 1:308—11. ii. Music and text of both printed in Felder, Reimofficien. The Middle Ages, Renaissance, and Roman Catholic Reform гι Unlike the Passion, the historia of the Divine Office did not maintain a tradition up to the time of the oratorio's origin; thus it did not exert a direct formative influence on the oratorio.

Peter's, subsequently called the Cappella Giulia.

With a Spanish viceroy in Milan and another in Naples, and with troops stationed in both cities, the Spanish hegemony in sixteenth-century Italy was undisputed. The papacy, controlling the most powerful of the Italian states, was not always subservient to Spain and at times even forcefully opposed her; on the whole, however, Spanish-papal relations tended to be amicable. The papacy needed the Hapsburgs 30 The Oratorio in the Baroque Era: Italy, Vienna, Paris in its Counter-Reformation struggle against Protestantism in the north, and Philip II needed the friendship of the papacy, since religious orthodoxy was important to his political program.

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A History of the Oratorio: Vol. 1: The Oratorio in the Baroque Era: Italy, Vienna, Paris by Howard E. Smither


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